1. Jeannie (Cox) Moss’ one page article on the founding of the Folk Song Circle was published in Vol 1 Issue 1 of “Come All Ye”, the VFSS Journal (July 1972). It mentions the five people responsible for founding the Circle at the Alma YMCA back in 1959 — Albert Cox, Jeannie (Cox) Moss, Phil and Hilda Thomas, and Rolf Ingelsrud. It’s a reminder of the work done by the early FSC pioneers, and since carried on by so many others, in fostering acoustic folk music in Vancouver.
2. Roger Holdstock’s article on the VFSS was published in Vol 20 Issue 1 of the Canadian Folk Music Bulletin (March 1986). Roger’s article does a fine job of summarizing the Folk, and its activities and ambience twenty-six years after its inception.
Linda Chobotuck says she’s been lurking around the VFSS since it met in the Granville Island Community Centre. She was lured in by then-president Anna Holbech Bjarnason. [Ed.: Our records show that Bjarnason was president in 1980.]
“I grew up in a folkie family with a mother who came from a parlour-singing tradition and was an early disciple of the folk revival. Surrounded by folkies, everybody I respected as a musician was also a songwriter, so from an early age I also wrote music. I’m not very prolific, but I’ve been doing it a long time and it adds up.
“My notebook says that ‘Give the Boss his Due’ was written in October 1985, but it was certainly brewing earlier than that because the third verse was inspired by an industrial psychology course that I dropped in disgust. The whole song is basically a tribute to my father’s attitude to work; the proper relationship a responsible worker should have to his or her job. You owe your co-workers to pull your own weight, but your obligations only go so far.
“After sleeping, people actually spend most of their time working, so I am perhaps best known as a singer and writer of labour songs, the most widely recorded of which is ‘Canning Salmon,’ which I wrote while working in a cannery in Richmond.”
Chobotuck performs “Canning Salmon” on a compilation CD titled The Cannery Shed put together by Washington folksinger Mary Garvey. As for a CD of her own, Chobotuck says that’s another project for some indefinite future. Until then, you can enjoy “Give the Boss His Due,” which was recorded live at the VFSS in 1991.
Barry Hall grew up in what was then called the [Vancouver] Folk Song Circle during the 1960s, first attending at an early age and wowing everyone with his prodigious talent on banjo. In 1964, he was asked to record an album for highly respected Folkways Records (now Smithsonian Folkways). As you can see from the album photo, he was still incredibly young at the time. According to the Folkways website, this was Hall’s only commercial recording.
The VFSS audio archives include a number of live recordings of Barry Hall, including these two blistering instrumentals recorded on October 21, 1970. The first one seems to be identified as “Mason’s Apron.” The title of the second one is not provided.
This blog is intended to initiate dialogue on this topic. I know that there are others in the Folk who know much more about Barry Hall than I do and I would welcome shared reminiscences and information in the comments.